Standard Ticket, Student Ticket
|Radar Tickets (Barcode)||[Student Ticket]||
£8 FV + £1 BF = £9
No hidden fees
|Radar Tickets (Barcode)||[Standard Ticket]||
£10 FV + £1 BF = £11
No hidden fees
Since 1991 British artist Vicki Bennett has been working across the field of audio-visual collage, and is recognised as an influential and pioneering figure in the still growing area of sampling, appropriation and cutting up of found footage and archives. Working under the name People Like Us, Vicki specialises in the manipulation and reworking of original sources from both the experimental and popular worlds of music, film and radio. People Like Us see sampling and appropriation as folk art sourced from the palette of contemporary media and technology, with all of the sharing and cross-referencing incumbent to a populist form. This audiovisual concert commemorates the 25th year of People Like Us publishing work.
Oliver Coates is a cellist, composer and producer based in London. He has performed solo shows in China, Russia, Brazil, Egypt and Australia, and made his New York debut at Le Poisson Rouge. He was the winner of the Royal Philharmonic Society Young Artist Award 2011 and is an Artist in Residence at the Southbank Centre. Two major commissions premiered in 2017: HELIOTONES, for girls’ choir, flutes, cello and electronics, for Borealis Festival in March, and Shorelines, for string quartet and electronics, for Cryptic in May.
In 2016 Coates released a solo record, Upstepping, on PRAH, and a collaborative record, Remain Calm, with Mica Levi on Slip. He works closely with Levi, London Contemporary Orchestra, Elysia Crampton, Jonny Greenwood and the visual artist Lawrence Lek, for whom he has scored the award-winning video pieces Unreal Estate and QE3. He has conceived and programmed the Southbank Centre’s long-running Harmonic Series and its first DEEP∞MINIMALISM festival in 2016, which featured Pauline Oliveros’ last public Tuning Meditation.